EWA A. ŁUKASZYK
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FALCONRY PROJECT (2014-2016)
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IMAGES OF TOTALITY (2024-2025)
PORTUGUESE LITERATURE FOR FOREIGNERS (2016-2017)
LATE STYLE PROJECT (2013-2015)
GLOBAL MEDIEVAL & EARLY-MODERN STUDIES
>
ADAMIC LANGUAGE PROJECT (2017-2018)
SUFI LITERATURE
TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
TRAVEL WRITING
>
SLOWACKI PROJECT (2015-2019)
GLOBAL 19TH-CENTURY STUDIES
GLOBAL MODERNISMS
WRITINGS ON ART
EXPERIMENTS
THE EXTRACULTURAL
INTIMATE MICROSPHERES
BELLIES
MORPHOGENESIS
LANGUAGE BEYOND MEANING
DESERT
EROTICISM OF TRACE
PINWHEELS
POETICS OF THE VOID
SYMBOLIC MATRIX
THE WORLD
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GREENLAND
ICELAND
NORWAY
SWEDEN
FINLAND
DENMARK
EASTERN EUROPE
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ESTONIA
LATVIA
LITHUANIA
RUSSIA
BELARUS
UKRAINE
POLAND
Forty Years of Travel in Poland
CZECH REPUBLIC
SLOVAKIA
HUNGARY
ROMANIA
MOLDOVA
WESTERN EUROPE
>
IRELAND
SCOTLAND
GREAT BRITAIN
NETHERLANDS
BELGIUM
LUXEMBURG
GERMANY
AUSTRIA
LIECHTENSTEIN
SWITZERLAND
FRANCE
MIDI
ITALY
VENICE
SICILY
MALTA
CATALONIA
SPAIN
PORTUGAL
CANARY ISLANDS
THE BALKANS
>
SLOVENIA
CROATIA
SERBIA
ALBANIA
BOSNIA & HERZEGOVINA
MONTENEGRO
BULGARIA
NORTH MACEDONIA
GREECE
CAUCASUS
>
GEORGIA
ARMENIA
AZERBAIJAN
CHECHNYA & INGUSHETIA
DAGESTAN
A Ride across the Caucasus
MIDDLE EAST
>
EGYPT
LEBANON
PALESTINE
ISRAEL
CYPRUS
TURKEY
CAPPADOCIA
KURDISTAN
SYRIA
IRAQ
KUWAIT
JORDAN
SAUDI ARABIA
QATAR
UNITED ARAB EMIRATES
BAHRAIN
OMAN
YEMEN
MAGHREB & SAHEL
>
AL-ANDALUS
MOROCCO
TUNISIA
ALGERIA
LIBYA
SAHRAWI REPUBLIC
MAURITANIA
MALI
BURKINA FASO
NIGER
CHAD
SUDAN
FULANI WORLD
MANDINGA WORLD
WEST AFRICA
>
SENEGAL
GAMBIA
CAPE VERDE
GUINEA-BISSAU
GUINEA
SIERRA LEONE
IVORY COAST
GHANA
SAO TOME & PRINCIPE
TOGO
BENIN
NIGERIA
CAMEROON
EQUATORIAL GUINEA
CENTRAL AFRICAN REPUBLIC
GABON
THE HORN OF AFRICA
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ETHIOPIA
ERITREA
DJIBOUTI
SOMALIA
THE SOUTH OF AFRICA
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CONGO
UGANDA
KENYA
RWANDA
BURUNDI
TANZANIA
ANGOLA
ZAMBIA
MALAWI
MOZAMBIQUE
ZIMBABWE
NAMIBIA
BOTSWANA
SOUTH AFRICA
LESOTHO
ESWATINI
INDIA & INDIAN OCEAN
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INDIA
NEPAL
BHUTAN
BANGLADESH
SRI LANKA
MALDIVES
SEYCHELLES
MAURITIUS
COMOROS
MADAGASCAR
SOUTH EAST ASIA
>
LAOS
VIETNAM
CAMBODIA
MYANMAR
THAILAND
MALAYSIA
SINGAPORE
BRUNEI
INDONESIA
BALI
TIMOR
PHILIPPINES
IRAN & CENTRAL ASIA
>
IRAN
AFGHANISTAN
PAKISTAN
UZBEKISTAN
TAJIKISTAN
KYRGYZSTAN
TURKMENISTAN
KAZAKHSTAN
TAKLAMAKAN & THE UYGHURS
NORTH & NORTH EAST ASIA
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RUSSIAN FAR NORTH
CHUKOTKA & KAMCHATKA
SAKHA (YAKUTIA)
JAPAN
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KOREA
BURYATIA
TUVA
MONGOLIA
CHINA
TIBET
NORTH AMERICA
>
CANADA
UNITED STATES
MESOAMERICA
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MEXICO
GUATEMALA
BELIZE
EL SALVADOR
HONDURAS
NICARAGUA
COSTA RICA
PANAMA
THE CARIBBEAN
>
CUBA
JAMAICA
HAITI
DOMINICAN REPUBLIC
PUERTO RICO
MARTINIQUE
TRINIDAD & TOBAGO
SOUTH AMERICA
>
BRAZIL
COLOMBIA
VENEZUELA
GUYANA
SURINAME
ECUADOR
PERU
BOLIVIA
URUGUAY
PARAGUAY
ARGENTINA
CHILE
POLYNESIA
>
EASTER ISLAND
TAHITI & FRENCH POLYNESIA
SAMOA
TONGA
MICRONESIA
>
MARSHALL ISLANDS
PALAU
KIRIBATI
MELANESIA
>
PAPUA NEW GUINEA
NEW CALEDONIA
VANUATU
FIJI
SOLOMON ISLANDS
AUSTRALASIA
>
AUSTRALIA
NEW ZEALAND
ANTARCTICA
>
EXPLORATION
MARGINALIA
The Flight of the Crimson Angel
Becoming undead
Transition
LIFESTYLE
ON LANGUAGES
NATURE PHOTOGRAPHY
>
PLANTS
>
BOTANIC GARDENS
FORESTS
BUTTERFLIES
BIRDS
MAMMALS
WATER & AQUATIC LIFE
EARTH
LIGHT
GARDEN & DESERT
ABOUT & CONTACT
Home
RESEARCH ARCHIVE
ALL TEXTS
COMPARATIVE LITERATURE
CULTURAL THEORY & CULTURAL ANALYSIS
GLOBAL LITERARY STUDIES
>
GLOBAL LITERARY THEORY
GLOBAL HISTORY OF IDEAS
APOCALYPTIC STUDIES
ARAB LITERATURE
ASIAN STUDIES
EAST EUROPEAN & POST-SOVIET STUDIES
EROTICISM & SEXUALITY STUDIES
EURO-MEDITERRANEAN WRITING
>
MediTransCulture PROJECT (2020-2021)
FEMINISMS, GENDER & QUEER STUDIES
ISLAMICATE INTELLECTUAL HISTORY
LATIN AMERICAN STUDIES
LUSOPHONE AFRICAN STUDIES
MAGHREBIAN & WEST AFRICAN STUDIES
>
AMAZIGH STUDIES
MANDINGA & FULANI STUDIES
MARITIME HUMANITIES
PLANT & ANIMAL STUDIES
>
FALCONRY PROJECT (2014-2016)
PORTUGUESE STUDIES
>
IMAGES OF TOTALITY (2024-2025)
PORTUGUESE LITERATURE FOR FOREIGNERS (2016-2017)
LATE STYLE PROJECT (2013-2015)
GLOBAL MEDIEVAL & EARLY-MODERN STUDIES
>
ADAMIC LANGUAGE PROJECT (2017-2018)
SUFI LITERATURE
TRANSCOLONIAL & TRANSINDIGENOUS STUDIES
TRAVEL WRITING
>
SLOWACKI PROJECT (2015-2019)
GLOBAL 19TH-CENTURY STUDIES
GLOBAL MODERNISMS
WRITINGS ON ART
EXPERIMENTS
THE EXTRACULTURAL
INTIMATE MICROSPHERES
BELLIES
MORPHOGENESIS
LANGUAGE BEYOND MEANING
DESERT
EROTICISM OF TRACE
PINWHEELS
POETICS OF THE VOID
SYMBOLIC MATRIX
THE WORLD
ARCTIC & SCANDINAVIA
>
GREENLAND
ICELAND
NORWAY
SWEDEN
FINLAND
DENMARK
EASTERN EUROPE
>
ESTONIA
LATVIA
LITHUANIA
RUSSIA
BELARUS
UKRAINE
POLAND
Forty Years of Travel in Poland
CZECH REPUBLIC
SLOVAKIA
HUNGARY
ROMANIA
MOLDOVA
WESTERN EUROPE
>
IRELAND
SCOTLAND
GREAT BRITAIN
NETHERLANDS
BELGIUM
LUXEMBURG
GERMANY
AUSTRIA
LIECHTENSTEIN
SWITZERLAND
FRANCE
MIDI
ITALY
VENICE
SICILY
MALTA
CATALONIA
SPAIN
PORTUGAL
CANARY ISLANDS
THE BALKANS
>
SLOVENIA
CROATIA
SERBIA
ALBANIA
BOSNIA & HERZEGOVINA
MONTENEGRO
BULGARIA
NORTH MACEDONIA
GREECE
CAUCASUS
>
GEORGIA
ARMENIA
AZERBAIJAN
CHECHNYA & INGUSHETIA
DAGESTAN
A Ride across the Caucasus
MIDDLE EAST
>
EGYPT
LEBANON
PALESTINE
ISRAEL
CYPRUS
TURKEY
CAPPADOCIA
KURDISTAN
SYRIA
IRAQ
KUWAIT
JORDAN
SAUDI ARABIA
QATAR
UNITED ARAB EMIRATES
BAHRAIN
OMAN
YEMEN
MAGHREB & SAHEL
>
AL-ANDALUS
MOROCCO
TUNISIA
ALGERIA
LIBYA
SAHRAWI REPUBLIC
MAURITANIA
MALI
BURKINA FASO
NIGER
CHAD
SUDAN
FULANI WORLD
MANDINGA WORLD
WEST AFRICA
>
SENEGAL
GAMBIA
CAPE VERDE
GUINEA-BISSAU
GUINEA
SIERRA LEONE
IVORY COAST
GHANA
SAO TOME & PRINCIPE
TOGO
BENIN
NIGERIA
CAMEROON
EQUATORIAL GUINEA
CENTRAL AFRICAN REPUBLIC
GABON
THE HORN OF AFRICA
>
ETHIOPIA
ERITREA
DJIBOUTI
SOMALIA
THE SOUTH OF AFRICA
>
CONGO
UGANDA
KENYA
RWANDA
BURUNDI
TANZANIA
ANGOLA
ZAMBIA
MALAWI
MOZAMBIQUE
ZIMBABWE
NAMIBIA
BOTSWANA
SOUTH AFRICA
LESOTHO
ESWATINI
INDIA & INDIAN OCEAN
>
INDIA
NEPAL
BHUTAN
BANGLADESH
SRI LANKA
MALDIVES
SEYCHELLES
MAURITIUS
COMOROS
MADAGASCAR
SOUTH EAST ASIA
>
LAOS
VIETNAM
CAMBODIA
MYANMAR
THAILAND
MALAYSIA
SINGAPORE
BRUNEI
INDONESIA
BALI
TIMOR
PHILIPPINES
IRAN & CENTRAL ASIA
>
IRAN
AFGHANISTAN
PAKISTAN
UZBEKISTAN
TAJIKISTAN
KYRGYZSTAN
TURKMENISTAN
KAZAKHSTAN
TAKLAMAKAN & THE UYGHURS
NORTH & NORTH EAST ASIA
>
RUSSIAN FAR NORTH
CHUKOTKA & KAMCHATKA
SAKHA (YAKUTIA)
JAPAN
MANCHURIA
KOREA
BURYATIA
TUVA
MONGOLIA
CHINA
TIBET
NORTH AMERICA
>
CANADA
UNITED STATES
MESOAMERICA
>
MEXICO
GUATEMALA
BELIZE
EL SALVADOR
HONDURAS
NICARAGUA
COSTA RICA
PANAMA
THE CARIBBEAN
>
CUBA
JAMAICA
HAITI
DOMINICAN REPUBLIC
PUERTO RICO
MARTINIQUE
TRINIDAD & TOBAGO
SOUTH AMERICA
>
BRAZIL
COLOMBIA
VENEZUELA
GUYANA
SURINAME
ECUADOR
PERU
BOLIVIA
URUGUAY
PARAGUAY
ARGENTINA
CHILE
POLYNESIA
>
EASTER ISLAND
TAHITI & FRENCH POLYNESIA
SAMOA
TONGA
MICRONESIA
>
MARSHALL ISLANDS
PALAU
KIRIBATI
MELANESIA
>
PAPUA NEW GUINEA
NEW CALEDONIA
VANUATU
FIJI
SOLOMON ISLANDS
AUSTRALASIA
>
AUSTRALIA
NEW ZEALAND
ANTARCTICA
>
EXPLORATION
MARGINALIA
The Flight of the Crimson Angel
Becoming undead
Transition
LIFESTYLE
ON LANGUAGES
NATURE PHOTOGRAPHY
>
PLANTS
>
BOTANIC GARDENS
FORESTS
BUTTERFLIES
BIRDS
MAMMALS
WATER & AQUATIC LIFE
EARTH
LIGHT
GARDEN & DESERT
ABOUT & CONTACT